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Transamerica
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Transamerica

Description
Right in the midst of important changes in her life, pre-operative male-to-female Bree Osborne (Felicity Huffman) learns that 17 years ago, she fathered a son, Toby (Kevin Zegers), now a teenage runaway hustling on the streets of New York.
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HEROES OF "Transamerica"
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CRITICS OF "Transamerica"
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Eye for Film
Resource

August 10, 2007

Tucker's screenplay is sharp but also sensitive, so the ample good humour never drifts into high camp (apart from the scenes with Bree's mother - and SHE is straight).
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Orlando Sentinel

January 27, 2006

Transamerica is a routine road-trip comedy-drama with a twist.
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Seattle Times
Resource

January 20, 2006

Huffman's performance in Transamerica, as a pre-op male-to-female transsexual coping with the sudden emergence of a long-lost son, is much better than the movie it's in; indeed, she singlehandedly takes Transamerica to a higher plane.
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Minneapolis Star Tribune
Resource

February 02, 2006

It's funny in spots, touching in others and uniformly life-affirming.
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Philadelphia Inquirer

January 20, 2006

It's a farce with heart, a meditation on identity, family and gender politics that has real faith in its characters -- even when the characters themselves lack it.
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Film Journal International
Resource

March 01, 2007

A well-tuned vehicle.
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DVD Review
Resource

July 10, 2007

A big part of the movie's success is Huffman's irresistible and remarkable performance as Bree, a character we identify with rather than feel alienated by.
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eFilmCritic.com
Resource

August 05, 2007

Comfort food for a comfortable audience, with the TV-familiar Huffman reassuring viewers that she's really a real woman underneath that unflattering make-up.
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ReelViews
Resource

February 02, 2006

Huffman's performance redeems parts of the movie but, until the final 30 minutes, Transamerica too often feels like a journey to nowhere.
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Miami Herald
Resource

January 20, 2006

As Bree, who started her unhappy life as Stanley, the angular Huffman, a fine comedic actress who carried home an Emmy this fall, is a compelling portrait of wounded dignity. She is wholly fascinating and heartbreaking.
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