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Toni Erdmann
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HEROES OF "Toni Erdmann"
Toni Erdmann
CRITICS OF "Toni Erdmann"
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Q Network Film Desk
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May 03, 2017

an old-fashioned father-daughter story grafted onto a none-too-subtle critique of the corporatization of Europe and the brutally hectic nature of modern life
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Boston Globe
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February 16, 2017

At nearly three hours, "Toni Erdmann" is expansive but rarely self-indulgent, and the emotional payoff, when it comes, feels truly and bizarrely earned.
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Newsday
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February 08, 2017

Funny, tender, outrageous - this unpredictable movie belongs in a category all its own.
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Detroit News
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February 24, 2017

"Toni Erdmann" has plenty to say about parenting, ambition, feminism and modern happiness, but not enough to justify its absurdly longwinded running time.
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Minneapolis Star Tribune
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February 02, 2017

Rather than setting up jokes, scoring points and swiftly moving on, Ade keeps her shots rolling past the natural beats, hindering what at its core is a road trip comedy - one that is thinly staged, shot and edited.
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Phantom Tollbooth
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March 10, 2017

Toni Erdmann is 40 minutes too long, period.
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Cinencuentro
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March 09, 2017

It's one of the best comedies in recent years, being intelligent, disconcerting and poignant at the same time. [Full review in Spanish]
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Spokesman-Review (Washington)
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March 15, 2017

Whatever Ade's intentions, her Toni Erdmann does achieve this: Syd Field or no, it offers American moviegoers a reminder of the many different ways that cinema can express itself.
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Seven Days
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April 07, 2017

If I could grant Maren Ade's third feature the rating it deserves, its title would be followed not by five stars but by a constellation. The Academy blew it. Toni Erdmann is by far the finest foreign language film of the past year.
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Sacramento News & Review
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March 09, 2017

Toni Erdmann is so loaded with show-stopping sequences and contradictory tones that it's hard to know where to start, but I doubt anyone will ever listen to "The Greatest Love of All" again without thinking of this film. D.B.
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St. Louis Post-Dispatch
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February 16, 2017

Hüller is amusingly discombobulated as the uptight Ines. But the film is perhaps best appreciated as a showcase for the gifted Simonischek, whose portrayal of Winfried/Toni is one for the ages.
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San Diego Reader
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January 27, 2017

Sure enough, Andy Kaufman's prankster and premeditatedly abrasive second-self was the impetus behind this epic one-joke comedy from German writer-director Maren Ade.
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