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The Siege
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The Siege

Description
The story takes place on a film set in Brooklyn. FBI special agent Anthony 'Hub' Hubbard teams up with U.S. Army General William Devereaux whose mission is to track down the heartless leader of terrorists and prevent terrorists from destroying the city. They must be in danger to attain their goal.
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CREATORS OF "The Siege"
The Siege
CRITICS OF "The Siege"
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Reel Film Reviews
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May 29, 2016

...a solid concept in search of a consistent (and engaging) execution.
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CNN.com
Resource

January 01, 2000

Typical summer popcorn fare.
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San Francisco Chronicle
Resource

January 01, 2000

The script is too muddled to be remedied by vigorous filmmaking.
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Rolling Stone

May 11, 2001

It's difficult to sustain a responsible subtext when you're delivering the jolts required to keep butts in the seats.
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Detroit News

January 01, 2000

[Benning] is the only fresh, compelling character in the film.
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Film Threat
Resource

December 08, 2002

If you like political thrillers with lots of explosions, domestic terrorism, and vein-popping army Generals, this movie's for you.
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Jam! Movies

October 09, 2002

A gripping build up gives way to an incredibly dumb finish.
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Spirituality and Practice
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November 06, 2003

Zwick (Courage Under Fire) has fashioned another ethical tour de force that reveals his dedication to serious filmmaking.
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Calgary Movies
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June 21, 2007

More political than entertaining, The Siege is a reflection of our heightened awareness and sensitivity to terrorism and the price of freedom.
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Boxoffice Magazine
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June 05, 2002

A flawed but not uninteresting political thriller that struggles with middling success to satisfy the dual aims of being both commercially entertaining and socially significant.
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Los Angeles Times
Resource

February 14, 2001

Even at its most unbelievable, The Siege has the performances of Washington and Bening to fall back on, and a theme that understands that what's difficult is not choosing right from wrong but 'choosing the wrong that's more right.'
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Chicago Sun-Times
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January 01, 2000

The prejudicial attitudes embodied in the film are insidious, like the anti-Semitism that infected fiction and journalism in the 1930s--not just in Germany, but in Britain and America.
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