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The Favourite
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The Favourite

Description
This story begins with a new drama, where that story takes place in the early 18th century. During that period, England was at war with the French and the events may still be turbulent. Queen Anne decides to take over the throne, and her close friend, Lady Sarah the Country, decides instead to try to reconcile her opinion with Anne. Events may change completely when a new server called Abigail arrives. Shortly after Abigail's presence, Sarah takes that maid under her wing and sees Abigail as a chance to return to her aristocratic roots that seem to be shattered.
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CREATORS OF "The Favourite"
The Favourite
CRITICS OF "The Favourite"
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Film School Rejects
Resource

February 27, 2019

An incredible infusion of modernity and Restoration-era Great Britain-a boisterous, farcical, and unapologetically inexplicable update on the royal British period piece.
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The Atlantic
Resource

December 21, 2018

Despite its period setting, The Favourite just might be Lanthimos's most trenchant and relevant work yet.
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San Diego Reader
Resource

December 14, 2018

There are no heroes in The Favourite; there are only sad creatures driven by their various needs. There is, however, a morbid morality to the proceedings, one in which decadence is its own punishment.
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New York Times
Resource

January 24, 2019

Weisz and Stone are both brilliantly witty and nimble, but Colman's performance is nothing short of sublime.
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Detroit News
Resource

December 13, 2018

"The Favourite" is an uproarious send-up of the aloofness of royals, and comes alive thanks to its sterling ensemble cast (Nicholas Hoult is also worthy of note, playing a young British statesman) and Lanthimos' pristine direction.
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Bitch Media
Resource

February 22, 2019

In the end, The Favourite is a haunting reminder of the limits of control.
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Cocalecas
Resource

February 20, 2019

The Favourite [is Yorgos Lanthimos'] most conventional but equally venomous film. [Full review in Spanish]
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n+1
Resource

February 27, 2019

Colman's performance as Queen Anne is worthy of Charles Laughton in its lack of vanity and its ever-building pathos.
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Cineaste Magazine
Resource

February 27, 2019

The movie singlehandedly upends decades of unimaginative habits by British filmmakers who have generally treated history as well-behaved pageants with period-perfect costumes and lavish settings.
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Alternative Lens
Resource

February 15, 2019

Olivia Colman, Emma Stone and Rachel Weisz all deliver career-best performances in this quirky look back at the politics of yesteryear...
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Sydney Morning Herald
Resource

December 21, 2018

As well as being [Lanthimos'] biggest production so far, this is by far his most pleasurable, with three Oscar-worthy performances.
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Globe and Mail
Resource

December 07, 2018

It is Colman who steals the film from everyone - Lanthimos included.
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