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Padmaavat [Audio: Hindi]
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DIRECTORS OF "Padmaavat [Audio: Hindi]"
Padmaavat [Audio: Hindi]
CRITICS OF "Padmaavat [Audio: Hindi]"
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NOW Toronto
Resource

February 02, 2018

Director Sanjay Leela Bhansali's latest period film is an embarrassing display of Hindu nationalism and male machismo. Not even the grandeur and refined spectacle for which Bhansali is known can cloak its shameless denigration of Muslims.
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Hollywood Reporter
Resource

January 29, 2018

Padmaavat's sumptuous palace interiors and classically inspired music lend elegance to the film without overpowering it - a welcome shift in tone from the director of the lavish but uneven Devdas and Saawariya.
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RogerEbert.com
Resource

January 29, 2018

"Padmaavat" is a rare work of pop art that is both powerful and repugnant.
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Globe and Mail
Resource

February 02, 2018

When I walked out of the movie theatre screening Padmaavat, I was shaking in rage.
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New York Times
Resource

January 26, 2018

A lavish 3-D pageant with the depth of a children's pop-up book.
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The Straits Times (Singapore)
Resource

January 31, 2018

Thankfully, Padukone's Padmavati gets to be more than a pretty face in the second half of the film as she rallies the Rajput women in the lead-up to the stirring climax, which is masterfully handled by Bhansali.
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Film Journal International
Resource

January 26, 2018

An extravagant, often gorgeous bore.
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Stuff.co.nz
Resource

January 31, 2018

It is by turns daft, jaw-droppingly epic and often just plain lovable.
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Birth.Movies.Death.
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February 02, 2018

India's most controversial blockbuster is an exciting take on an ancient story.
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The National (UAE)
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January 25, 2018

Ranveer Singh shines in his portrayal of Bhansali's Khilji as a heartless beast. He is menacing, brutal, passionate, unpredictable and exciting to watch.
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Village Voice
Resource

February 01, 2018

With its lavish sets; catchy, narratively-driven songs; and powerhouse performances, Padmaavat is even greater than the sum of its already-commendable parts.
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Film Inquiry
Resource

February 09, 2018

In his misguided attempt to replicate the success of Bajirao Mastani, Sanjay Leela Bhansali learns that you can get struck by lightning if you try to capture it in a bottle twice.
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