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One and Two
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One and Two

Description
Imprisoned by their own father on their family's property, two siblings with terrifying supernatural powers plot their escape and vengeance. Two siblings discover a supernatural escape from a troubled home, but find their bond tested when reality threatens to tear their family apart.
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DIRECTORS OF "One and Two"
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CREATORS OF "One and Two"
One and Two
CRITICS OF "One and Two"
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The Film Stage
Resource

February 23, 2016

Quiet and contemplative, One & Two is confident in the story it wants to tell and achieves so with remarkable poise.
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New York Times
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August 13, 2015

The film tries, unsuccessfully, to walk the same eerie, atmospheric trail as "The Village" by M. Night Shyamalan, or any number of Stephen King works.
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Time Out
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August 13, 2015

Sally Draper leaps to the big screen in this slight, sumptuous drama about teleporting teens.
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Los Angeles Times
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August 20, 2015

Gorgeous and naturalistic shots by cinematographer by Autumn Durald speak volumes, and the atonal, foreboding score by Nathan Halpern creates a sense of dread, though they are ultimately squandered in an underdeveloped story.
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Hollywood Reporter
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August 10, 2015

Disparate influences percolate but never quite cohere in Andrew Droz Palermo's first narrative feature One & Two, which while atmospheric and beautifully lensed ends up being a touch too elliptical for its own good.
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Guardian
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January 28, 2016

It's like Terrence Malick were making a superhero origin story. The lack of explanation wouldn't be a problem if the ending didn't feel somehow predictable and lethargic, but the cast help make this watchable.
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Empire Magazine
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January 28, 2016

It looks beautiful and there is an interesting denouement, but it disappoints; the build-up just isn't developed enough for it to matter.
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Daily Express (UK)
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January 31, 2016

Every half-hearted plot twist and supposedly startling jolt underlines just how feeble and derivative this all is. The end result is just silly rather than scary.
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SciFiNow
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February 05, 2016

It's a very handsomely made film, the performances are very good, and Palermo's understated vision is definitely intriguing. We just can't help wishing that there was a bit more to it.
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RogerEbert.com
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August 14, 2015

"One and Two" never feels as momentous or as angsty as a good story about moody teenagers should, and that's mostly because the film lacks a menacing parental adversary.
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Variety
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August 10, 2015

There are simply too many loose ends to distract us, and too much empty air in which audiences can't help but poke holes.
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