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A sixty-something mother and her two adult sons cope and move onward following the death of their larger-than-life father/husband.
![Love After Love (Di yi lu xiang) [Sub: Eng]](https://static.gomovies.tube/img/movies/gNL2n8GxxconpEAF8_xAR6ZXBhm9isZzRmVoHG_OT0hndmkK0YkoBWwuOya4iMeFQfMvOu6AeJgoFFHglP45bb1zopmiRY1tjwm7Kytk4Ho.jpg)
31 January 1980, Omaha, Nebraska, USA
21 April 1958, Gaffney, South Carolina, USA
13 February 1960, Windsor, Vermont, USA
4 December 1987, Sun Valley, Idaho, USA
26 July 1979, Hammersmith, London, England, UK
9 October 1979, Sligo, Ireland
April 27, 2018
I wish the pieces of Harbaugh's domestic jigsaw fit more elegantly together. Sometimes, it seems as if he's tripping into scenes the way a person might stumble into a darkened room before turning on the light.
April 05, 2018
Challenging, unflinching and deeply honest.
March 30, 2018
First-time director Russell Harbaugh presents grief as it is, in all its pain and ugliness, rather than using the convenient, uplifting short-hand that Hollywood prefers.
April 19, 2018
It's a film intentionally adrift, rambling between a loose succession of family gatherings and dinner parties with subdued style, the camera feeling like just another person at the edge of the room.
March 30, 2018
I found it a great masochistic experience.
April 25, 2018
Maybe the most damaging factor is that [director Russ] Harbaugh does nothing to establish that the paterfamilias, first seen in reasonably good health at a family gathering, is such an emotional touchstone to his wife and sons.
April 02, 2018
Yet this movie, for all its laudable aspects, left me wanting for more, a personally frustrating turn of events to say the least.
April 26, 2018
The story of Love After Love is one of grieving, and it's about that process in a specific, particularly sad sort of way.
April 27, 2018
The film is a bit messy at times, but considering the circumstances on screen, that seems appropriate.
April 02, 2018
Andie MacDowell [displays] one of the best performances of her career.
April 17, 2018
An unflinching portrait of how grief can unravel a tightknit family in ways both banal and heart-wrenching.
March 30, 2018
This first-time feature from writer/director Russell Harbaugh has an understated, intimate, pointillist style, with a cool jazz score that matches its improvisational tone.
