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Here and Now (Blue Night)
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Here and Now (Blue Night)

Description
Vivienne (Sarah Jessica Parker), is an established singer/songwriter with a successful music career. On the eve of a major performance, Vivienne receives some life-altering news that causes her to reevaluate her priorities. As she crisscrosses the busy streets of New York City, she tries to balance her upcoming music tour, family, and friends. With the support of her overbearing mother, Jeanne (Jacqueline Bisset), her long-time manager, Ben (Common), and her ex-husband, Nick (Simon Baker), Vivienne strives to make peace with the decisions and sacrifices she's made along the way.
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HEROES OF "Here and Now (Blue Night)"
Here and Now (Blue Night)
CRITICS OF "Here and Now (Blue Night)"
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Mark Reviews Movies
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November 09, 2018

[A]s accurate as this portrayal of avoidance might be, it doesn't amount to much in terms of sympathizing with or understanding who Vivienne is and what she's experiencing.
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Entertainment Weekly
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November 07, 2018

For most of the film, Parker's Vivienne is bland and forgettable.
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indieWire
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April 20, 2018

"I'm not done yet," Vivienne declares. But we never even see her get started.
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Observer
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November 09, 2018

Here and Now is deliberately slow, hoping to provide viewers a chance to share the torturous mental anguish Vivienne is going through. The process only succeeds in boring us to death.
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Variety
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April 20, 2018

Why doesn't the drama ever crystallize into something we can feel?
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AWFJ Women on Film
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November 06, 2018

It's an intimate character study that rests on the lead performance from Sarah Jessica Parker, de-glammed save for her Kim Novak platinum hair.
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AWFJ Women on Film
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November 06, 2018

An open-ended but not unpleasant watch.
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Film Inquiry
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November 07, 2018

Clunky and at times, confusing, Here and Now fails to give Sarah Jessica Parker the chance to dive deep into herself and give the emotional performance she was hoping for.
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Blu-ray.com
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November 08, 2018

The psychological dig site is surprisingly shallow here, forcing Constant to depend on stale poetry to get by, which stops the feature in full.
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AWFJ Women on Film
Resource

November 06, 2018

A compellingly human film.
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New York Times
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November 08, 2018

It all adds up to a film aiming to be a moving character study (and an ostensible homage to Agnés Varda's "Cléo From 5 to 7," a far more vivid exploration of existentialism), but instead feels adrift.
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Hollywood Reporter
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April 20, 2018

Mood indi-so-so.
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