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Final Portrait
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Final Portrait

Description
In 1964, while on a short trip to Paris, the American writer and art-lover James Lord (Armie Hammer) is asked by his friend, the world-renowned artist Alberto Giacometti (Geoffrey Rush), to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of an offbeat friendship, but, seen through the eyes of Lord, an insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. FINAL PORTRAIT is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity. It is a film which shines a light on the artistic process itself, by turns exhilarating, exasperating and bewildering, questioning whether the gift of a great artist is a blessing or a curse.
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Final Portrait
CRITICS OF "Final Portrait"
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Metro (UK)
Resource

October 11, 2017

Actor-turned-director Stanley Tucci's fifth movie is like an engagingly acted episode stretched into a feature.
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Variety
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February 12, 2017

In "Final Portrait," Stanley Tucci, directing his first film in 10 years, takes the biopic to an even more exquisitely homespun level of miniature close-up.
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Flick Filosopher
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January 10, 2018

A bleakly funny, genteelly twisted gloss on the clichés of temperamental creative genius, via the relationship between an artist and his subject, one that questions the sometimes high personal price of great art.
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indieWire
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February 17, 2017

As a bit of art-house escapism, that it is a trip well worth taking.
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Cinemanía (Spain)
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December 29, 2017

It is not an innovative proposal, but not too trite... [Full review in Spanish]
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Flicks.co.nz
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October 05, 2017

Avoids the usual biopic pitfalls, yet succumbs to the half-baked slightness that can plague talky, miniaturist chamber pieces.
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Stuff.co.nz
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October 04, 2017

Giacometti's endless delaying tactics and his prosaic nature means Final Portrait weirdly feels both once over lightly and somewhat slow all at once.
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New Zealand Herald
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October 05, 2017

Tucci presents an engaging overview of the artist, undoubtedly one that will inspire viewers to continue their own exploration of a fascinating character.
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Herald Sun (Australia)
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October 05, 2017

A low-key drama of consistently high quality...
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The Mail on Sunday (UK)
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October 04, 2017

Rather like the sittings, the film just goes on and on and on.
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Hollywood Reporter
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February 12, 2017

Makes for a narrative with little consistent forward momentum and an anticlimactic ending, though the film remains agreeable thanks largely to Rush's flavorful performance.
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ABC Radio (Australia)
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October 31, 2017

This modest, extremely charming labor of love from writer/director Stanley Tucci is not intended for anyone who can't wait for the next Transformers. But if you're interested in Paris, art, the 1960s or any combination, it may be right up your alley.
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