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Deliverance
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Deliverance

Description
The movie follows four Atlanta businessmen as they canoe down a river in the remote northern Georgia wilderness before the valley is flooded by construction of a dam. Soon enough, the trip becomes a nightmare when they run into creepy rednecks, Gods forgotten creatures.
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Deliverance
CRITICS OF "Deliverance"
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Common Sense Media
Resource

November 08, 2016

Classic '70s adventure has brutal, disturbing violence.
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Variety
Resource

September 18, 2007

It's the stuff of which slapdash oaters and crime programmers are made but the obvious ambitions of Deliverance are supposed to be on a higher plane.
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Time Out
Resource

January 26, 2006

It's a haunting, nightmarish vision.
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TIME Magazine
Resource

August 24, 2008

Each of the four lead performances is exceptional, none more so than Burt Reynolds' beefy, supercilious Lewis.
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Chicago Sun-Times
Resource

October 23, 2004

A fantasy about violence, not a realistic consideration of it.
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Creative Loafing
Resource

July 13, 2012

This powerful adaptation of James Dickey's best-selling novel finds director John Boorman establishing a sense of menace almost from the start, and the "squeal like a pig" sequence continues to haunt viewers even decades after the fact.
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Groucho Reviews
Resource

July 03, 2012

Boorman's interpretation of the material resulted in an American cinematic classic built not only on shock and awe, but emotional subtlety. [Blu-ray]
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Cinemaphile.org
Resource

August 19, 2014

Boorman's film still speaks to us in profound ways, as if to indicate hidden wisdom has long rested in frames glossed up by a once-shocking philosophy.
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Reel Film Reviews
Resource

December 24, 2014

...an underwhelming adaptation of an underwhelming book.
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Film4
Resource

August 24, 2008

A sad, brilliant reminder that sometimes people are the most threatening monsters of all.
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Chicago Reader
Resource

September 18, 2007

John Boorman's 1972 film of the James Dickey novel has a beautiful visual style that balances the film's machismo message.
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New York Times

May 20, 2003

So many of Dickey's lumpy narrative ideas remain in his screenplay that John Boorman's screen version becomes a lot less interesting than it has any right to be.
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