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The movie follows sportswriter Al Stump when he is assigned to set Ty Cobb's story down. Stump must either candycoat his subject's life or present an accurate picture of a disgusting man who happened to become an American sports hero.
25 January 1918, Washington, Georgia, USA
22 July 1947, Flushing, New York, USA
10 October 1959, Madison, Wisconsin, USA
27 June 1923, Plainfield, New Jersey, USA
15 July 1961, London, Ontario, Canada
7 May 1957, Dayton, Ohio, USA
28 September 1949, Long Beach, California, USA
4 January 1962, Birmingham, Alabama, USA
29 May 1914, Chicago, Illinois, USA
15 November 1933, Colorado Springs, Colorado, USA
17 May 1957, Buffalo, New York, USA
4 March 1936, Forest Hill, Louisiana, USA
15 September 1946, San Saba, Texas, USA
25 November 1940, Marks, Mississippi, USA
May 06, 2014
A curiously gripping amalgam of Patton, Citizen Kane and Melvin and Howard.March 19, 2013
Cobb cuts right through the winner-take-all ethos of American athletics. It's a raw, inspired, audaciously funny, and unexpectedly moving collaboration between the writer-director Ron Shelton and Tommy Lee Jones.March 19, 2013
Ty Cobb is such a towering figure in this motion picture that it's easy to overlook Al Stump -- and Robert Wuhl's feisty, witty performance in the thankless role.May 06, 2014
Most biopics mistakenly try to take us from cradle to grave and end up skimming the surface. The wisdom of Cobb is that writer-director Ron Shelton knows that the close study of a single day can decode a human life.March 19, 2013
[Jones] lets it all loose here. It's the performance of a lifetime: full of menace and venom, eloquence and fire, rot and pathos, crackling rawness and realism.March 20, 2013
Stump is well-played by affable Robert Wuhl, who has the unenviable responsibility of representing the one sane man in Ty's crazy universe.March 19, 2013
Cobb's accomplishments on the ball field would make for an absorbing documentary, but it's the passions and pitfalls of his private life that dominate Ron Shelton's melodramatic film.May 06, 2014
While the story of Cobb himself is a worthy one (Shelton's treatment, believe it or not, even has its similarities to Orson Welles' Citizen Kane), Shelton shortchanges the very game that made the man famous.May 06, 2014
To watch Tommy Lee Jones re-create the persona of the Hall of Famer in Cobb is to encounter the greatest SOB ever to come down the pike -- in or out of the domain of sports. The trek is hardly entertaining.May 06, 2014
Unfortunately, the movie just makes Stump look like a self-important jerk, possibly a bigger jerk than Cobb, and Wuhl's affable, weightless performance doesn't help.March 19, 2013
The result, whether Cobb is wailing about greatness or ruminating about the dark circumstances around his father's death, is a performance too operatic and out of control.