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Cake
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Cake

Description
After having visions of Nina, a member of her support group who killed herself, Claire Simmons who also suffers with chronic pain seeks out Nina';s husband. As she uncovers the details of Nina';s suicide and develops a poignant relationship with Nina';s husband, she also grapples with her own, very raw personal tragedy.  
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DIRECTORS OF "Cake"
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CREATORS OF "Cake"
Cake
CRITICS OF "Cake"
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Film Comment Magazine
Resource

February 15, 2017

It will be a pity if viewers are too put off by the subject to see Aniston's bravura turn, a tour de force that also tells us something about what we can and can't accept in women's performances, our threshold for unlikability and unprettiness.
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Denver Post

January 23, 2015

Jennifer Aniston burrows into Claire's walking-wounded gait and eclipsed mood.
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Christian Science Monitor
Resource

January 23, 2015

Cake could have used more layers.
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Chicago Reader
Resource

February 02, 2015

Whether or not Aniston ever gets another role like this one, I have a hard time imagining anyone else in it -- and that's the sign of a genuine actor.
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TheWrap
Resource

January 23, 2015

"A thoughtful and frequently moving drama that insightfully illuminates what it's like to live with illness and agony."
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SF Weekly
Resource

December 31, 2015

In Cake, [Aniston]'s stiff, suffering, and suicidal, your mostly unwelcoming hostess for an extended pity party of personal tragedy.
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NY1-TV
Resource

December 22, 2015

Writer Patrick Tobin and director Daniel Barnz have a made a movie that, despite the clichéd template, manages to hold your interest. The main reason for that are the fine performances, mainly by Aniston who pilots this thing.
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Film Ireland Magazine
Resource

May 12, 2016

Despite a formidable and kaleidoscopic performance, there is a sense that the themes of human frailty and the will to heal that inform the film's narrative are beyond Aniston's abilities as a serious dramatic actress.
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Epoch Times
Resource

June 11, 2016

Think 'Nurse Jackie' reincarnated as a lawyer. The blatant Oscar-bid timing reduces the effectiveness of Aniston's performance rather a lot. It manufactures high expectations.
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NOW Toronto

December 18, 2015

Aniston isn't the only one doing good work... It's a shame the script lets them down in the end, too.
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New Yorker
Resource

February 02, 2015

The slack and purposeless direction leaves the entire cast emoting in a void.
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New York Magazine/Vulture
Resource

January 23, 2015

This Cake isn't fallen. It's just a bit deflated.
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