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Boxcar Bertha
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HEROES OF "Boxcar Bertha"
Boxcar Bertha
CRITICS OF "Boxcar Bertha"
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EmanuelLevy.Com
Resource

February 22, 2008

Scorsese's second film is one of his weakest, a violent impersonal work that feels like an extension of such rural crime-gangsters features as the exploitation flick Bloody Mama or the arty and better one Bonnie and Clyde.
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Chicago Sun-Times
Resource

October 23, 2004

Scorsese remains one of the bright young hopes of American movies.
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Chicago Reader
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January 01, 2000

'Promising juvenilia' is about the most one can say for it.
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Variety
Resource

March 31, 2008

The Roger Corman production, shot on an austere budget in Arkansas area, is routinely directed by Martin Scorsese.
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Seanax.com
Resource

January 13, 2017

[Martin] Scorsese was anxious to show his chops on a real Hollywood feature and does so admirably (if impersonally) with rough-and-ready style on a mix of true story and exploitation drama.
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Reel Film Reviews
Resource

March 18, 2005

...an often interminable experience.
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Film Freak Central
Resource

February 06, 2005

Although a Martin Scorsese retrospective could easily survive its absence, Boxcar Bertha is a cornerstone of the director's filmography
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Combustible Celluloid
Resource

May 26, 2006

Scorsese hadn't developed a personal vision yet, but a few moments during the heat of battle reveal a lively, playful camera. Not to mention the on-target performances by Hershey and her co-stars David Carradine, Barry Primus and Bernie Casey.
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Movie Views
Resource

July 29, 2006

Part exploitation movie, part visionary cinema, Boxcar Bertha is caught somewhere in between both.
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eCinemaCenter.com

January 03, 2005

Scorsese at his most droll and uninspired.
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New York Times

May 09, 2005

While there is a striking similarity [to Bonnie and Clyde] in general content, background, fine color photography and even the use of hillbilly music, the new, more modest film stands curiously on its own.
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TV Guide
Resource

March 31, 2008

Lots of violence, typical of the Corman exploitation mill, but the film still shows the budding talent of Scorsese in his use of moving-camera and period detail.
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