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DIRECTORS OF "5 To 7"
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CREATORS OF "5 To 7"
5 To 7
CRITICS OF "5 To 7"
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The Film Stage
Resource

June 06, 2016

Saccharine, overwhelmingly melodramatic and filmed with a glossy sheen, one is either quickly won over by the charms of the romantic drama 5 to 7 or simply turned off from the start.
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Philadelphia Inquirer
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April 23, 2015

The problem with 5 to 7 is that the most important romance, between Brian and Arielle, never feels real.
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Minneapolis Star Tribune
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April 23, 2015

One of the best date-night movies of the season without a doubt.
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Fort Worth Star-Telegram/DFW.com
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April 28, 2015

The strong cast, a beautiful score, and a surprisingly affecting ending make it more convincing that it seems at first.
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Washington Post
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April 23, 2015

There aren't many surprises in "5 to 7," unless you count such startlingly cliched bits of dialogue as "Life is a collection of moments" and "There's no free lunch."
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Herald Sun (Australia)
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November 11, 2015

Go along with the dopey premise of 5 To 7 for as long as you can, and its guilty-pleasure charms will kind of grow on you.
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The Age (Australia)
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November 05, 2015

The fairytale aura is nourished by outdated yet timeless notions of Frenchness and Americanness, grand romantic fantasies in themselves.
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Independent Online (South Africa)
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March 07, 2016

While it doesn't exactly take your breath away, this small coming-of-age story will make you smile about how film can romanticise even the slightest of ideas.
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New Zealand Herald
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April 28, 2016

5 To 7 is a pretty standard rom-com, but sets the bar higher than most with it's French New Wave references.
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FILMINK (Australia)
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November 05, 2015

This is an above average romantic weeper despite its classist flaws and its liberal scrounging from The French New Wave.
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Boston Globe
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April 23, 2015

Though Yelchin does not elevate his role much above pasty callowness, Marlohe brings to hers a luminous irony and melancholy that makes her the ideal elusive beauty of hyper-romantic adolescent dreams.
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Seattle Times
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April 17, 2015

The Brian-and-Arielle story never quite feels believable; it plays more like a novel than a genuine love story, like a work in progress, rather than a beginning and, inevitably, an end.
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