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DIRECTORS OF "2010: The Year We Make Contact"
2010: The Year We Make Contact
CRITICS OF "2010: The Year We Make Contact"
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TV Guide
Resource

August 03, 2011

It has all the right plot elements, dramatic tension, and eye-popping special effects. The performances are uniformly good, the space-adventure scenes are excitingly handled, and the reappearance of HAL 9000 and Dullea is downright eerie.
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Time Out
Resource

February 09, 2006

Hyams' sequel to Kubrick's big daddy of sci-fi movies may not have the novelty of 2001: A Space Odyssey, but it is still a better film than anyone could have dared to expect.
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Chicago Sun-Times
Resource

October 23, 2004

A good-looking, sharp-edged, entertaining, exciting space opera.
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TIME Magazine
Resource

August 03, 2011

Flash: There is intelligent life in outer space. More, anyway, than in this amiable footnote of a movie.
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New York Times

August 30, 2004

A lot of care has gone into it, but it has no satirical substructure to match that of the Kubrick film, and which was eventually responsible for that film's continuing popularity.
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Film Freak Central
Resource

June 09, 2009

What is 2010 but a conservative Cold War "message" flick.
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Movie Metropolis
Resource

April 20, 2009

...a good, well-made, tightly-knit, nicely-acted science-fiction sequel, yet one that clearly lacks the vision and scope of its illustrious predecessor.
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Antagony & Ecstasy
Resource

January 04, 2010

A much slicker, studio-friendly job than the first one was, with its much more famous cast, and its easier aesthetic.
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Film4
Resource

August 03, 2011

It can't hope to compete with Kubrick, but if you can distance Peter Hyams's picture from its formidable forerunner, you'll find a thoughtful and sometimes unforgettable science-fiction fable.
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Moviehole

October 26, 2008

A wholly thrilling, beautifully shot sequel to a sci-fi classic
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Variety
Resource

November 03, 2008

A hodge-podge of bits and pieces.
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ReelViews
Resource

January 01, 2000

Now that enough time has elapsed since the release of 2010 for outraged 2001 fans to calm down, it can be seen that, while there was no decisive creative reason for Hyams' sequel to exist, it's not a bad movie.
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